INTRODUCTION to They Call Each Other Brother:
In Sydney, in 1829, John Stephen, Worshipful Master of the Masonic 'Lodge of Australia', welcomed seven of the colony's business and professional men to join with him in celebrating the brotherhood and to induct more candidates into its mysteries.
The same John Stephen, bigamous paramour of convicted shop-lifter Jane New, in that same year, lied, forged court documents and engaged petty criminals to smuggle her out of the colony to enable her to escape a death sentence.
In 2006, an Australian researcher, Carol Baxter, concluded that Stephen had been an inveterate liar and opportunist well before he met the woman who became his 'irresistible temptation.' Baxter showed that the Stephen family was deeply involved in undermining Governor Darling, in total contravention of the pledge demanded of all Freemasons that they support legal authority.
In 2008, North American scholar Jessica Harland-Jacobs introduced her book, Builders of Empire, with the letter Stephen wrote to England's Grand Lodge in 1827 requesting a Charter to establish what was to be the first English Masonic lodge in the colony. Harland-Jacobs used this letter to exemplify Freemasonry's place at the heart of British imperial achievement and the brotherhood's impulse to be ultra-respectable and free from political controversy.
The Stephen-family mix of vaunted respectability and human corruptibility is not uncommon and neither is the central place of social networks in such situations.
But for Australians, the Masons truly are a 'secret society.' Academics and professional historians appear totally ignorant of Masonic history and do not appear to have even registered our many other fraternal societies - the Fraternity of Mutual Imps, Daughters of Temperance, the Loyal Orange Institute, the Hibernians and the Holy Catholic Guild, the Ancient Order of Foresters, the Odd Fellows, Knights of Labor, the (Jewish) Righteous Path and the United Society of Boilermakers of NSW, to name a few.
How Australians have been kept from their history is a sorry tale of neglect, confusion and myth-making. Despite a massive, colourful and often outspoken public presence and, in the case of the trade unions and Freemasons, despite a lot of published material which argues otherwise, all of these fraternals have been significantly invisible.
Lost to sight are the many families - rich, poor, innocent and reprobate - that have lived fraternalism in its many guises. Even the fraternal stories of Australia's iconic heroes, such as Don Bradman, Les Darcy and Ned Kelly, Quong Tart, WC Wentworth and Alfred Deakin, have been rendered invisible through neglect.
The actual societies have not been hard to find, rather they have been hard to 'see'. Together they have formed a huge social phenomenon for which the vague, romanticised 'mateship' of Lawson and Paterson and the speculations of Dan Brown form only a pale and reflective shadow.
The sheer numbers involved - hundreds and hundreds of 'lodges' and their many thousands of initiated candidates - have meant huge amounts of regalia have been produced in this country or imported into it. The hand-sewn, embroidered aprons, sashes, collars and jewels were sometimes works of art, sometimes made by firelight from the cheapest of materials and sometimes produced en-masse by specialist departments of David Jones, Anthony Hordern, Pellegrini and other stores.
The question of how to deal with what has survived of lodges - from banners, regalia, coded ritual books and photos to lodge furniture and buildings - remains. There has been no publication providing its context and setting out the case for its preservation. This review attempts to do both and to argue a need for a reversal of the scholarly bias against non-paper evidence. Ironically, it is often the more visually significant items, banners, buildings, regalia, and their attendant symbols, which have been most difficult to see.
Secrecy, of course, implies an unwillingness to be seen but the change by fraternal societies from a culture of oral transmission and oaths against publicity to one of vivid colours and a great desire to be seen and recorded, is one curious but pivotal element of this story.
ANDY DURR, and others, have been attempting for some years to change the way Freemasonry conducts research and writes about itself. Narrow, self-serving and selective are not adjectives which apply just to Masonic history, of course. But in spite of more vitality than that manifest in other fraternals, and greater interest in their history, Freemasonry has not yet shown much interest in changing their ways.
Durr commented in 1983, (AQC, Vol 96, p.92) on a paper presented to QC Lodge:
The paper follows a well-worn path of noting (Dr) Plot's
often hostile observations on the Society of Freemasons..It is
generally felt in the historiography of the Craft that Plot was
observing a meeting or lodge of speculative masons in 17th
century England. (His) observations make more sense when
they are seen in the context of voluntary associations of
tradesmen...We may ask whether operative masons were any
different from other skilled artizans and of course the answer
is no...
In his article, 'The Origin of the Craft', in the same volume, he set out his arguement at greater length, urging in effect that 'the origins of the Craft (need to) be looked at anew.'